取消
首页  »  电影  »  剧情片  »  盲目的丈夫们
奈雪高清无需安装任何插件,即可快速播放
随机推荐
  • 误杀3

    肖央,佟丽娅,段奕宏,刘雅瑟,王龙正,冯兵,周楚濋,徐诣帆,高捷,尹子维,张榕容,卢慧敏,陈昊,范静祎,叶泉希

  • 刺激

    萨尔曼·汗,纳瓦祖丁·席迪圭,兰迪普·弘达,米特胡恩·查克拉博蒂,桑杰·米什拉,沙鲁巴·舒克拉,帕斯·阿克卡尔,娜吉丝·法克利,Jacqueline,Fernandez,Archana,Puran,Singh,Sumona,Chakravarti,Karan,Aanand,Kavin,Dave,Rajshri,Deshpande,Ranjan,Dumra

  • 极寒之城

    夏雨,李立群,谭凯,张国柱,张奕聪,金士杰,杨皓宇,王可如,冯嘉怡,那志东,小么哥,焦刚,张帆,胡明,白红标,高捷,罗京民

  • 这么多年

    张新成,孙千,章若楠,刘丹,吴俊霆,李光复,孙美林,陶海

  • 莫妮卡·赛德隆

    埃达·马格纳松,斯瓦利尔·古德纳松,凯杰尔·博格奎斯特,薇拉·维塔利,奥斯卡尔·通贝里,约翰·旺西洛,纳德哈·克里斯蒂安斯森,大卫·埃伦斯,塞西莉亚·乐杨,弗雷德里克·林德伯格,约根·托尔松,汉娜·乌尔斯坦,赫达·斯蒂埃恩斯特特,亨利克·施塔尔,安娜·哈灵,霍纳斯·赫德伦德,弗雷德里克·尼尔松,伊莎贝尔·凯德,哈里·弗兰德拉德,安德烈·阿格-汉森,米娅·杰尔奎斯特,拉尔夫·伯纳德,乔纳森·德鲁,尼

《盲目的丈夫们》内容简介
Two differences between this Austrian version and the generally available American version are immediately obvious they differ both in their length and in the language of the intertitles. The American version is only 1,883 metres long - at 18 frames per second a difference of some 7 minutes to the Austrian version with 2,045 metres. Whereas we originally presumed only a negligible difference, resulting from the varying length of the intertitles, a direct comparison has nevertheless shown that the Austrian version differs from the American version both in the montage and in the duration of individual scenes. Yet how could it happen that the later regional distribution of a canonical US silent film was longer than the original version  The prevalent American version of Blind Husbands does not correspond to the version shown at the premiere of 1919. This little-known fact was already published by Richard Koszarski in 1983. The film was re-released by Universal Pictures in 1924, in a version that was 1,365 feet (416 metres) shorter. At 18 frames per second, this amounts to a time difference of 20 minutes! Titles were altered, snippets of action removed and at least one major scene taken out entirely, where von Steuben and Margaret visit a small local chapel. (Koszarski)  From the present state of research we can assume that all the known American copies of the film derive from this shortened re-release version, a copy of which Universal donated to the Museum of Modern Art in 1941. According to Koszarski the original negative of the film was destroyed sometime between 1956 and 1961 and has therefore been irretrievably lost. This information casts an interesting light on the Austrian version, which can be dated to the period between the summer of 1921 and the winter of 1922. Furthermore, the copy is some 200 metres longer than the US version of 1924. If one follows the details given by Richard Koszarski and Arthur Lennig, this means that, as far as both its date and its length are concerned, the Austrian version lies almost exactly in the middle between the (lost) version shown at the premiere and the re-released one.A large part of the additional length of the film can be traced to cuts that were made to the 1924 version in almost every shot. Koszarski describes how the beginning and the end of scenes were trimmed, in order to speed up the film. However, more exciting was the discovery that the Austrian version contains shots that are missing in the American one - shotscountershots, intertitles - and furthermore shows differences in its montage (i.e. the placing of the individual shots within a sequence). All this indicates that Die Rache der Berge constitutes the oldest and most completely preserved material of the film.
加载中...